danc(e)volve returns for Season 41 featuring the inventive choreography of Hubbard Street’s own artists; Alice Klock, named one of Dance Magazine’s 25 to watch for 2018, and 2019 Hubbard Street Choreographic Fellows Florian Lochner, and Rena Butler.
A world premiere by Kristen Idaszak
Directed by Jess Hutchinson
Presented by WildClaw Theatre
at the Den Theatre 1333 N. Milwaukee Ave, Chicago, IL 60622
On these nights, you hear footsteps behind you.
But when you turn around, nobody’s there.
There’s just the smell of salt.
When Quinn discovers her estranged mother is dying, she returns to a home she fled long ago. As she cares for her mother, Quinn wrestles with disturbing childhood memories. What is her mother’s secret? What do the bedtime stories of Selkies her mother once told her really mean? Told in three interconnected monologues, SECOND SKIN (winner of the Kennedy Center’s Paula Vogel and Jean Kennedy Smith awards) investigates the fraught relationship between mothers and daughters, and how one mistake can reverberate across generations.
Written by Robert O’Hara
Directed by Wardell Julius Clark
at Theater on the Lake, 2401 N. Lake Shore Drive
Ron, a young, gay African-American graduate student, completing his thesis on Nat Turner’s slave rebellion, feels lost in his life and alienated from his family. When his 189-year-old great, great grandfather TJ takes him back in time to meet Turner, both men find answers they never expected. Insurrection deals with racial identity and sexuality, as Ron faces his ancestors’ history and his own identity. A wrenching story, Insurrection: Holding History will change how you see the past-and just maybe yourself as well.
Through movement, original music, and Shakespeare’s transcendent language, this 90 minute production re-imagines THE TEMPEST on a living, breathing island where its primal magic is conjured in the bodies and voices of a nine-actor ensemble. The omniscient Prospero stands apart, wielding the island’s power to manipulate monsters and spirits, kings and drunkards, a treacherous sibling and a daughter in love. But is Prospero’s ability to control the forces around him worth the isolation it brings?
Rome is flipped upside down when a quick-thinking slave named Pseudolus attempts to win freedom in a matchmaking scheme that sparks a vaudevillian romp of Grecian slaves, soldiers, and whores! Turning the ancient comedies of Plautus into a farce for the ages, House Theatre Company Member and Northwestern Theatre Adjunct Professor Matt Hawkins directs this satirical Tony Award-winning musical comedy with a reimagined take on gender stereotypes, social class, and the intersection of love and comedy.